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The Rats in the Walls-LIVE part 4 of 4



Well, here we are. We made it. All the way through 4 parts of Lovecraftian horror and now we’re…not quite ready for the Centauri Express to launch.

Hal Wiedeman

Hal Wiedeman is displeased

We were so looking forward to this being the last episode of the venerable, but generically named, ARTC’s Podcast. But we just can’t. We can’t put forth something that’s less than our best effort. We just can’t do that to our listeners. So we’re pushing back to August. We hope.

Paige Steadman

Paige Steadman has her doubts.

So we’ll be carrying on in our usual fashion for just a couple more months. In the meantime, won’t you consider supporting us on Patreon? We just posted a bunch of really cool milestone goals to help you know what your support will mean to us, and we’re working on a short video to show how we’re operating, too. All kinds of good stuff going on, so remember that you can set your own budget and hopefully you can see your way clear to helping us out a bit. We’d really appreciate it!

Bob Zimmerman, Kat Nowack, and Bill Ritch

Bob Zimmerman, Kat Nowack, and Bill Ritch are waiting for YOU.

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The Rats in the Walls-LIVE part 3 of 4




We’re back and ready for another episode of ARTC’s Podcast! This month, The Rats in the Walls-LIVE part 3 of 4, performed live at the Academy Theatre in October 2012.

What else can we say about Lovecraft and The Rats in the Walls? Not much, really. I mean, it’s creepy, it’s awesome, it’s classic horror.

Paige Steadman

Paige Steadman wants to know what you mean by “creepy”.

Centauri-Express-logo-transparent

So in this month’s show notes, we’re going to talk instead about what’s coming up for the podcast. As we mention in the podcast itself, we’re about to wind down on the show as you’ve known it for the last 10 years. We’re shooting for a June launch, but we’re perfectionists, so it might be July or August before we get this really ready, but when it gets moving it’s going to be as hard to stop as a freight train. Which is fitting since it will be the Centauri Express Audio Magazine!

Dash-DashWhat is the Centauri Express? It’s whatever you want it to be! For one thing we’ll be taking a step back from our anthology format and focusing on a serialized audio drama, beginning with the full 13-episode version of Dash Cardigan!

But that’s not all! We’ll also be featuring interviews with ARTC personnel, behind-the-scenes looks at our productions, outtakes, and user-submitted content that might take the form of reviews or previews of other audio dramas, convention reports, flash fiction, and whatever else looks interesting to us and to you, our loyal listeners.

Enjoying the live performances? Fret not! The majority of the back catalog will remain online and free for the foreseeable future and future live performances will be made available as free perks for our Patreon subscribers at ALL levels.

Hal Wiedeman and David Benedict

Hal Wiedeman has “feelings” about that news. David Benedict looks on, while scouting an escape route.

There’s still one more part of The Rats in the Walls to go and then…well, you’ll just have to stay tuned to find out what happens next. But whatever shows up next you can be sure that….There is Adventure in Sound!

Kat Nowack and Bill Ritch

Kat Nowack and Bill Ritch are waiting with you.

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The Rats in the Walls-LIVE part 2 of 4

We’re really sorry we missed our normal publication time this month! Car trouble impeded our progress. But we’re back on track now!

EDIT: We forgot the link to the actual audio! It’s here now! Those of you looking for it can find it now!

Tony Fuller at the Foley table

Tony Fuller practices breaking some kneecaps in case this ever happens again.

This month we continue with The Rats in the Walls from our 2012 performance. With music by The Ghosts Project, it was a really creepy experience.

Robert Drake on stage lights

Robert Drake is really creeped out.

The creepiness was enhanced by the lighting wizardry of Robert Drake. We don’t always have the luxury of special lighting at our live shows. At most of our convention appearances we usually just have the ballroom lights of the room we’re performing in, so being able to do a show at the Academy Theatre is a real treat.

Probably should have saved the fisheye lens for The Shadow Over Innsmouth

The-Rats-in-the-Walls-Live-Digital02And don’t forget, you can get this performance at a much higher audio quality from Bandcamp!

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The Rats in the Walls – LIVE part 1 of 4




So last month we brought you The Music of Erich Zann. This month we decided to keep the cosmic horror going. And why not? It’s our 10th year of podcasting and our H. P. Lovecraft fans have been very good to us, so we’d like to be very good to them!

The-Rats-in-the-Walls-Live-Digital02This month we bring you The Rats in the Walls-LIVE by H. P. Lovecraft, adapted for audio by Brad Strickland, with music by The Ghosts Project, accompanied by Alton Leonard.

This performance was part of our 2012 celebration, Lovecraft’s Nightmares. And it’s available for sale! Up to now, performances on the podcast were exclusive to the podcast, but you can download this performance from Bandcamp. Or, if you’re a purist, you can get the original recording that featured Harlan Ellison!

For the uninitiated, Lovecraft’s Nightmares was our monthlong celebration of the master of cosmic horror. For four weekends in October, ARTC performed a different Lovecraft adaptation from our catalog. The first weekend, we led off with The Rats in the Walls, featuring Dave Schroeder in the role of Delapore.

Dave Schroeder

Dave Schroeder pronounces it Shray-der.

And, as if a month of Lovecraft weren’t enough, we invited our good friends Paul Mercer and Davis Petterson, The Ghosts Project, to play along. You can hear them on several of our other performances as well, such as The Island of Dr. Moreau, The Call of C’thulhu, and At the Mountains of Madness, and their music also serves as the intro for our podcast!

Paul Mercer

Paul Mercer pronounces it with a viola

Keep a lookout for more collaborations between ARTC and The Ghosts Project!

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The Music of Erich Zann

The Music of Erich Zann

Can you believe the first ARTC podcast was back in 2006? We can’t, and we published it!

At the end of 2015, we featured three interviews with ARTC writers and performers. We’ll be having more of that in 2016, but for now let’s get back to the audio drama with The Music of Erich Zann by H. P. Lovecraft, adapated for audio by Jonathan Horton and David Benedict, featuring music by The Ghosts Project, Paul Mercer and Davis Petterson with Alton Leonard.

This was part of our Lovecraft’s Nightmares show back in 2012 at the Academy Theatre.

Davis Petterson, Alton Leonard, and Paul Mercer

Davis is a dark and shadowy presence.

Lovecraft’s Nightmares was a monthlong celebration of the master of cosmic horror. His writing focuses on the strange, the macabre, and the insane. Speaking of insane, we performed a different Lovecraft adaptation each week in October of 2012, and many of the cast and crew went insane and everyone called the producer insane. But it was a ton of fun and we got a lot of great performances out of that month!

David Benedict

Pictured: The Producer. Insane.

You can hear more of the performances from Lovecraft’s Nightmares, and even more of our ongoing collaboration with The Ghosts Project, by purchasing them from our catalog. But for now, here’s a glimpse into madness. We hope you enjoy it.

Paul Mercer

Paul Mercer

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The Twelve Days of An Atlanta Christmas (2015) Day 12

Welcome to the Twelve Days of An Atlanta Christmas (2015 edition)! Leading up to our December 12 and 13 performances at the Academy Theatre in Stockbridge, we’ll be bringing you our own take on this holiday classic!

On the third day of An Atlanta Christmas, my true love gave to me…twelve list’ners list’ning…
eleven patrons giving
ten actors acting
nine sound effects
eight years of benefits
seven Christmas memories
six colored microphones
five old CDs!
four Foley artists
three singers singing
two Stockbridge shows
And an interview on WABE!

It’s here! It’s here! The day is finally here! Welcome one and all to our family Christmas, to every family Christmas that ever was or ever will be…

But we’re getting ahead of ourselves. Those are the words you’ll hear tonight at the opening of this year’s An Atlanta Christmas, just as we’ve said them every year for the last 16. But every show is different. We mix and match our series of vignettes into something unique and then, of course, there’s the excitement of live theatre – you never know what’s going to happen.

And so tonight, after a scant three weeks of prep time, we welcome you into our family for a night or two. We’re glad you’re coming. We’re so looking forward to seeing each and every one of you.

Kris Kringle at An Atlanta Christmas 2008

Kris Kringle at An Atlanta Christmas 2008

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The Twelve Days of An Atlanta Christmas (2015) Day 11

Welcome to the Twelve Days of An Atlanta Christmas (2015 edition)! Leading up to our December 12 and 13 performances at the Academy Theatre in Stockbridge, we’ll be bringing you our own take on this holiday classic!

On the third day of An Atlanta Christmas, my true love gave to me…eleven patrons giving…
ten actors acting
nine sound effects
eight years of benefits
seven Christmas memories
six colored microphones
five old CDs!
four Foley artists
three singers singing
two Stockbridge shows
And an interview on WABE!

As we get closer and closer to the performance date, we’d like to take a moment to thank everyone for the last 31 years (and counting!). For listening. For attending. For giving. For telling their friends and family. Audio drama is, by its very nature, an interactive art form. It’s a direct communication from the writers and actors and sound effects folks directly into the hearts and minds of our listeners.

We feel so loved by all the generosity that you’ve shown us, but we’d like to give you the opportunity to show a little more, if you’re so inclined. ARTC is a 501(c)(3) non-profit corporation and, as we’re approaching the end of the year, you might consider whether a tax-deductable donation is right for you.

There’s lots of other ways to support ARTC financially. Check out a few of these and find one that fits your budget and your level of enjoyment of what we do.

Thanks!

kickstart-sm

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The Twelve Days of An Atlanta Christmas (2015) Day 10

Welcome to the Twelve Days of An Atlanta Christmas (2015 edition)! Leading up to our December 12 and 13 performances at the Academy Theatre in Stockbridge, we’ll be bringing you our own take on this holiday classic!

On the third day of An Atlanta Christmas, my true love gave to me…ten actors acting…
nine sound effects
eight years of benefits
seven Christmas memories
six colored microphones
five old CDs!
four Foley artists
three singers singing
two Stockbridge shows
And an interview on WABE!

It takes a lot of people to get audio drama into the ears of our audiences. Foley artists, audio engineers, floor managers, and a bunch of other people that we’re not sure what they do. Oh! They’re actors! Yes, those wonderful voices that are ultimately the focal point for telling the story.

This year we’ve got at least ten of those talented folks for you. Come meet them! Ask them questions! Get their autographs (unless you’re planning to forge their signatures, in which case skip the autograph)!

An Atlanta Christmas cast from 2009

An Atlanta Christmas cast from 2009

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The Twelve Days of An Atlanta Christmas (2015) Day 9

Welcome to the Twelve Days of An Atlanta Christmas (2015 edition)! Leading up to our December 12 and 13 performances at the Academy Theatre in Stockbridge, we’ll be bringing you our own take on this holiday classic!

On the third day of An Atlanta Christmas, my true love gave to me…nine sound effects…
eight years of benefits
seven Christmas memories
six colored microphones
five old CDs!
four Foley artists
three singers singing
two Stockbridge shows
And an interview on WABE!

To create a truly immersive environment, you don’t just need Foley sound effects. You really need some good recordings, too. General ambiance, automobiles, aircraft, gunshots, and certain kinds of watery effects are just some of the examples of sounds that are better left in the digital realm, rather than trying to re-create them on the stage or even in the studio. What recorded SFX do we have for this year’s show? How about Atlanta drivers trying to get around in the snow?

Recorded SFX

Recorded SFX!

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The Twelve Days of An Atlanta Christmas (2015) Day 8

Welcome to the Twelve Days of An Atlanta Christmas (2015 edition)! Leading up to our December 12 and 13 performances at the Academy Theatre in Stockbridge, we’ll be bringing you our own take on this holiday classic!

On the third day of An Atlanta Christmas, my true love gave to me…eight years of benefits…
seven Christmas memories
six colored microphones
five old CDs!
four Foley artists
three singers singing
two Stockbridge shows
And an interview on WABE!

Center for the Visually Impaired logoARTC is pleased and proud to have the Center for the Visually Impaired as our Partner in Imagination again this year. Since 2006, CVI has been the beneficiary of this annual gift that we give to our audiences, receiving 25% of total ticket sales. Audio drama is a wonderful art form for the visually impaired, but we don’t just want to provide entertainment. It’s important that we all contribute towards a total quality of life for our fellows in this world.

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